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The Copper Mine Series I, 50x70 cm

The Copper Mine Series I, 50x70 cm

salt works

Collectors edition

Limited collector’s edition of only 100 numbered and signed books that come with a numbered and signed limited edition print

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The Copper Mine Series I, 50x70 cm

salt works

Collectors edition

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The Copper Mine Series I, 50x70 cm

Poster

The Copper Mine Series I, 50x70 cm

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Copies left
SHOP
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The Copper Mine Series I, 50x70 cm
No items found.

Poster

The Copper Mine Series I, 50x70 cm

Copies left
Print

• series collection poster
• 2 cm white border
• numbered and signature en verso
• pigment print on 250 gsm paper

• pigment print with ultra chrome ink
• permanence for more than 200 years
• 2 cm white border for better framing
• numbered and signature en verso
• including a certificate of authenticity

Final size
Width

50

cm
Height

70

cm

Collection Intro

The global hunger for raw materials such as oil and coal, metals, gravel, sand and other resources is growing unabated. We dig holes in the ground to tap into the Earth's natural resources. We excavate, blast, clear or burn to extract them. In 2017, the global material extraction footprint was as big as 92 billion metric tons. It is projected to grow to 190 billion metric tons by 2060. The world's population today lives as if it had 1.6 Earth's at its disposal. The Copper Mine Series I delivers an overview of the Rio Tinto mine project in Andalusia, Spain. It’s the largest open-pit mine in Europe and one of those places everyone likely has a connection to. We all use electric energy that is brought to us through copper wires, we all use devices that run on those metals, and we all live in buildings that are heated by the use of copper wires. This series provides an insight into the extraction of natural resources and their consequences on nature. Places we know exist but hardly know what they may look like.

About book

The global hunger for raw materials such as oil and coal, metals, gravel, sand and other resources is growing unabated. We dig holes in the ground to tap into the Earth's natural resources. We excavate, blast, clear or burn to extract them. In 2017, the global material extraction footprint was as big as 92 billion metric tons. It is projected to grow to 190 billion metric tons by 2060. The world's population today lives as if it had 1.6 Earth's at its disposal. The Copper Mine Series I delivers an overview of the Rio Tinto mine project in Andalusia, Spain. It’s the largest open-pit mine in Europe and one of those places everyone likely has a connection to. We all use electric energy that is brought to us through copper wires, we all use devices that run on those metals, and we all live in buildings that are heated by the use of copper wires. This series provides an insight into the extraction of natural resources and their consequences on nature. Places we know exist but hardly know what they may look like.

Texts
Content
Size
Binding
  • Texts: Tom Hegen, Annalena Erhardt, Sabine Schwarzfischer, Mark Kurlansky (all texts are in English language)

  • Content: 288 pages, 167 photographs

  • Size: 34,5 x 27,5 cm

  • Binding: Hardcover, clothbound

Series Poster

Series Poster 50x70 cm including white border, printed on beautiful 250g matt photographic paper, rolled in a tube, shipping worldwide.

Human Altered Landscapes

We hardly pay attention to how much we have changed our planet in order to meet our needs. A forest, for instance, can look like ordinary nature from the ground. But by changing the point of view, you can actually see that this forest is based on a grid – built by man.

Collectors edition

Limited collector’s edition of only 100 numbered and signed books that come with a numbered and signed limited edition print. The book and print are wrapped in a premium clothbound, hard-case box with an embossed book title cover.

Standard Edition

Sea salt production sites are found all over the world, usually located around shallow shorelines. Tom Hegen has explored these magical landscapes from the air and obtained spectacular images in the process.

Lockdown

During the lockdown time in March, April and May, I took photographs of the largest German Airports and their resting runways. It was a historic moment and a unique opportunity to get these images. The book published in a high-quality clothbound hardcover book by renowned German publisher Hatje Cantz.

Print

Printed on beautiful 170g/m² photo paper with an essay by world renowned philosopher and author Alain de Botton about a post-travel world. The book comes in a very nice and hight-quality clothbound hardcover.

Limited Edition Print

N°TSMS17, Guérande, Pays de la Loire, France, 2020
Pigment print on Hahnemühle Photo Rag 308 gsm, 33,5 x 26 cm

Human Altered Landscapes

"In recent centuries humans have become one of the most important factors influencing the biological, geological and atmospheric processes on Earth. Meanwhile, we have left our marks on more than two-thirds of the Earth's surface. Scientists now suggest that we should live in a new human era, called Anthropocene."

Human Altered Landscapes

The book HABITAT explores the relationship between man and nature by aerial photography. It raises the question of when a man’s influence on Earth began and how our civilization has developed since that. Five chapters and 90 photographs show on over 180 pages traces of human presence on Earth.

Collector’s Edition

This Fine Art Prints in strictly limited edition. Once an edition has been sold out, it will never be printed again. Each print is numbered, signed and shipped with a certificate of authenticity. For achieving the highest quality, the photographs are reproduced with archival pigment print on Hahnemuhle Photo Rag 308 gsm.

Collector’s Edition

This Fine Art Prints in strictly limited edition. Once an edition has been sold out, it will never be printed again. Each print is numbered, signed and shipped with a certificate of authenticity. For achieving the highest quality, the photographs are reproduced with archival pigment print on Hahnemuhle Photo Rag 308 gsm.

Fine Art Prints

Printed with archival pigment ink on Hahnemuhle Photo Rag 308 gsm matte fine art paper to achieve best colour gamut, image sharpness and brilliance. The white cotton paper has a light structure, lending each art work a characteristic depth. Hahnemuhle paper meets the requirements for age resistance and is designed for Fine Art applications.

  • Pigment print with ultra chrome ink
  • Permanence for more than 200 years
  • 2 cm white border for better framing
  • Numbered and signature en verso
  • Including a certificate of authenticity

Fine Art Prints

Printed with archival pigment ink on Hahnemuhle Photo Rag 308 gsm matte fine art paper to achieve best colour gamut, image sharpness and brilliance. The white cotton paper has a light structure, lending each art work a characteristic depth. Hahnemuhle paper meets the requirements for age resistance and is designed for Fine Art applications.

  • Pigment print with ultra chrome ink
  • Permanence for more than 200 years
  • 2 cm white border for better framing
  • Numbered and signature en verso
  • Including a certificate of authenticity

Framing Options

Shadow Gap Frame
Acryl-Dibond mounting
Passepartout Frame
Print under floatglass
Shadow Gap Frame
Acryl-Dibond mounting
Passepartout Frame
Print under floatglass
farmland series tom hegen
Contact me for custom requests
mail@tomhegen.com
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